Why Some Rooms Feel Right
Kim Chilton Griffith Kim Chilton Griffith

Why Some Rooms Feel Right

Why do some rooms feel effortless while others never quite come together? In this edition of Style Notes, I explore the difference between good pieces and good judgment—and why the rooms that feel right are rarely the result of shopping alone.

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More Room to Breathe
Kim Chilton Griffith Kim Chilton Griffith

More Room to Breathe

Some clients become friends. Some friends become family. This is one of those stories.

What began as a renovation became a three-year journey to transform a beloved Martha’s Vineyard home into a space capable of holding generations. In this edition of Style Notes, I reflect on design, patience, family legacy, and the moment a house finally becomes everything it was meant to be.

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The Maison Is Open
Kim Chilton Griffith Kim Chilton Griffith

The Maison Is Open

There’s a moment in every room when it shifts. After two decades — everything is in one place, and something new has arrived.

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The Anatomy of a Find
Kim Chilton Griffith Kim Chilton Griffith

The Anatomy of a Find

Long before you recognize a designer label, your eye recognizes structure. The pieces that endure—whether in a home or a wardrobe—reveal their quality through construction, material, and the quiet discipline of craftsmanship.

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Perception and Proportion
Kim Chilton Griffith Kim Chilton Griffith

Perception and Proportion

Mirrors don’t just sit in a room; they participate in it. They are architectural tools that shift light, alter proportion, and transform a space’s mood. They don’t create what’s present; they reveal it. Mirrors don’t just sit in a room; they participate in it. They are architectural tools that shift light, alter proportion, and transform a space’s mood. They don’t create what’s present; they reveal it.

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The Real Mark of Value
Kim Chilton Griffith Kim Chilton Griffith

The Real Mark of Value

Once you start seeing the difference between expensive and valuable, your choices begin to change. You become less interested in what makes a quick impact and more drawn to what quietly earns your loyalty.

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Outgrowing the Obvious
Kim Chilton Griffith Kim Chilton Griffith

Outgrowing the Obvious

I’ve always paid attention to what I don’t reach for first. Not the hotel everyone insists you have to stay in. Not the destination that suddenly becomes a rite of passage. Not the accessory that defines a season simply because everyone agrees it does. They’re often beautiful—but beauty alone has never been the point. I’m more interested in what lingers quietly on the periphery, waiting to be noticed.

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A Study in Stillness
Kim Chilton Griffith Kim Chilton Griffith

A Study in Stillness

Clarity often comes from subtraction, not addition.
December offers a quiet invitation to edit, refine, and realign with what truly fits now.

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